A phenomona that should be dubbed “the Tauriel Effect”

Even though she wasn’t precisely a lead – I’m still Angry, PJ, dammit.

It’s a forced topic. Everyone now has become so preoccupied with the issue, they forget one of the most important parts of stroy telling: character developement. Or, good character developement, I should say. 

My biggest issue: They are fake. They feel so unnaturally forced and overdone that it makes me instinctively hate them – which is kind of counter-productive to the entire point of the “movement”. And I mean that in the very loaded sense of “trend”. It is now the -thing- to push all types of media/entertainment to be concerned, and include, with diversity, gender rols issues and including the “strong female lead” trope that many authors, I feel, fluffing their work with. Extraneous characters that they don’t truely believe in, that they are building on a basis of necessity to include, rather than organically developing the appropriate characters the story needs.

I am currently reading Mage’s Blood by David Hair, and though I have just started, I am already annoyed. I can’t tell if I like it. I’m not sold, but I also cannot simply abandon it, and it is frustrating because I can’t help but wonder if I would be so torn if it weren’t for this Elena character.

If there is a perfect example of a character being forced into the “strong femal lead” role, this is it … well, I’m sure many others, but this is the one slapping me in the face right now, and I’d love to send it flying across the room – but it is that gnat that nags and hovers in your face, but dodges your hit every time you try to smack it away.

Let me tell you, I am so ticked at this gnat right now, I’m about to whip out the fogger.

From the second we learn about this character, it is forced down your throat how much of a bad-ass she is. Beginning from how Gyle insistantly introduces her to Saint Lucia:

                   “ “Will this woman kill the children, Magister Gyler?”

                   “She’s a heartless bitch, if you will excuse the term, Holiness.” There, Elena, I’ve made your name known to the Empress-Mother, in the best way possible. Fame at last!” “

To how it is pushed, every, other, grueling line, how she struggles to push away her maternal instincts, and thwart-off the interests/praises of the men, to how she pushes herself in training when we, at last, get to actually meet her. It’s redundantly shoved in your face: Look at me, I’m a badass, I am tough, look how tought I am, I don’t need men, look, I am a badass! Am I a badass yet?

What a cunt! I am so thrilled! 

And even though I recognize that those previous quoted lines are written with a hint of cynicism, it is accepted as noteworthy and even impressive!

                   “ Lucia smiled gleefully. “Excellent! I like her alredy -” “

So, apparently, in order to be strong, and a badass, you must be a cunt. Awesome. Can’t imagine why type of shit is so exhausting to read…

But they don’t need to be so forced. Saint Lucia herself is an unbelievable badass, already, in just a few pages – and it happens all so easily and naturally, without thought or question. But, what a shocker, she is also a cunt!

But the evil-strong have always been easy. And yes, we do love them – as is epitomized by Cersei Lannister and how we drool over her, we love to hate her and for some sadistic reason (that says more about us than Martin’s writing talents) we STILL route for her. And the fact that this, already sinister, Saint Lucia is on the team we’re supposed to be routing for. So yes, we do love them…

But is that it? Do we get no sane, not-evil, stron ladies that don’t seem ungodly forced and pre-built awfulness? Because that’s all we’re going to get so long as people feel the need to include such characters for the sake of pop-culture demand and worry of back-lash.

And that shouldn’t be.

Stories and story-tellers should not be dictated what to write and when and about who and how – that isn’t what makes memorable, or meaningful tales or characters. That kills it – that kills all the magic and stifles muses. 

I have no idea if that is how Hair felt as he was writing this book – but that is certaintly of it feels, and is is incredibly off-putting.

I write to tell a story. I don’t take the time to go through the checklist of diversity to make sure I’ve inlcuded the “appropriate” amount of women-to-men ratio, or gays-to-straights, or minorities-to-nonminorities. I just tell the story. That’s it. I put in exactly the amount of WHATEVER characters the story needs. And that’s it. I let the story tell me what it needs and where – Not societal demands and politics.